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      February 21, 2019

      Thursday   7:00 PM

      681 Main Street
      Buffalo, New York 14203

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      EVENT DETAILS
      Arkells

      with The Greeting Committee
      Emerging at a time when the internet had thoroughly disrupted the way we make, consume, and think about music, the Arkells 2008 debut, Jackson Square, inherited the dying-embered torch for a certain old-school, rock n roll ethicand poured a fresh gallon of gasoline on the flame. They came from a notoriously tough industrial outpostHamilton, Ontarioarmed with songs about punching clocks and punching faces. And though they were spurred into action by the mid-2000s Canadian indie-rock renaissanceback when bands like the Weakerthans, the Constantines and Wolf Parade were channeling punk-fueled passion into anthems for the overeducated and underemployedthe Arkells were also keen students of the classics. They named songs after John Lennon and pinched lines from Elton John, and if you got them drunk enough, they could play you an hour of spot-on Motown covers. But while their Canadian indie antecedents had either broken up or gone on indefinite hiatus by decades end, the Arkells gamely inherited their mission, andwith the release of 2011s Michigan Left and 2014s High Noonachieved the sort of national success that their underdog heroes always deserved but never experienced. With four Juno Awards and a gold record under their sweat-rusted belts, the Arkells have proven theres still a place for passionate, no-bullshit rock n soul in the mainstreamlast year, they were the most-played band on Canadian alt-rock radio.But theres just one problem with the popular perception of the Arkells as Canadas saviours of rock music: these days, theyre completely bored by rock music. Its a weird time to be a rock band right now, observes Max Kerman, the Arkells singer, guitarist, and chief songwriter. And to be honest, I dont really listen to a lot of rock music right now. I listen to Drake and Kanye. It would be so boring if we made a mid-2000s-style indie record. All those bands that I grew up with and shape the way I think about being in a bandthe Cons, the Weakerthans, Wintersleep, Broken Social Scenethats not really what I listen to anymore. Theyre in my DNA, but I just feel like rock has gotten so conservative and doesnt know where to go. Its just dull to me. Top 40 pop is way more progressive. Now, lest those comments suggest the Arkells new album, Morning Report, is loaded with bass drops and AutoTune, let us be clear: like the bands previous releases, the record showcases the intuitive interaction between Kerman and Mike DeAngelis intertwining guitars, Nick Dikas urgent basslines, Anthony Carones dulcet keys, and Tim Oxfords lockstep drumming. But there is a more irreverent, adventurous ethos at play that reflects Kermans current musical interestsand that goes well beyond calling the first song Drakes Dad. There are click-tracked rhythms, subliminal samples, electronic pulses, and sax and violins threaded into the richly textured mix, which more readily recalls the cut-and-paste approach of a hip-hop beatmaker than the plug-and-play impulsiveness of a live rock band. Arkells preceding release, High Noon, was recorded with indie-pop architect Tony Hoffer (Beck, M83), a partnership that yielded their biggest radio singles to date in Come to Light and Leather Jacket. But while logic would suggest not messing with a winning formula, the Arkells only returned to Hoffers L.A. studio for one Morning Report track; another was recorded in the same city with producer Brian West (Sia, AWOLNATION), while the remaining cuts were split across two sessions in Toronto with alt-rock veteran Joe Chiccarelli (The Strokes, My Morning Jacket) and Gus van Go (The Stills, Wintersleep)I feel like some bands keep putting out the same record over and over again, because its comforting to keep working with the same people, Kerman says. But there are lots of talented producers out there, and everyones good at different things. Like, Tony Hoffer is at the top of the pile for synth stuff. But we also know Joe Chiccarelli gets wicked drum sounds. People think, Oh, the record wont sound as cohesive if you record it with different people. But hip-hop and pop artists get away with it all the time. Everybody in modern music is making music on airplanes!Certainly, Morning Report is the most Arkells eclectic album to date, from the piano-pounded, California Love-schooled swagger of Private School to the devastating, slow-burn ballad Come Back Home to the silver-lined break-up song My Hearts Always Yours, the sort of ascendant, blood-pumping anthem you can easily imagine sparking an arena full of waving illuminated smartphones. But if the Arkells have mostly scrubbed away the surface soot of their Hamilton-spawned sound, lyrically, Kermans songwriting hits even closer to home. A lot of the songs are about me and characters in my life: my friends, my family, my girl, Kerman says. I find all those people really compelling and I like writing about them. And a lot of times, theyre songs about what happened the night before. So thats why its called Morning Report: you text your friend the next day and its like, Give me the morning report! Sure, sometimes those dispatches concern tales of last nights debaucherythe albums bottle-popping opener, Drakes Dad, is indeed based an actual (and rather inebriated) encounter with the elder Mr. Graham in a Memphis bar during an epic road-trip bachelor-party bender for Kermans friend. Or, in the case of Private School, they take the form of sly social satire, with Kerman recounting the experience of being stuck at a high-society party surrounded by well-meaning people who are totally oblivious to their privilege, and who name-drop books theyve clearly never read in an attempt to seem more hip. I was kind of getting sick of indie rock being so self-serious, Kerman says. With Drakes Dad, I wanted to have a song about how much you love your friends and love getting drunk with them and getting up to trouble. There is a real magic to that. Its hard, because when youre a privileged white guy and youre writing a song about getting drunk with your friends, you can sound like a frat boy, and I dont like that either!But Morning Report balances the champagne-room revelry with more sobering examinations of a time in life that doesnt get much play in rock music: your late-twenties, that sometimes traumatic transitory moment where youthful exuberance gives way to mid-life crises. Its the time when all your friends start getting married, your parents suddenly decide to get divorced, and long-distance relationships hit their shit-or-get-off-the-pot breaking point. But while melancholic, meditative moments like Passenger Seat and Come Back Home provide unflinching portraits of marriages on the brink of collapse, rousing, soul-powered sing-alongs like A Little Rain pay poignant tribute to the friendships that help you through the tough times, and provide that much-needed shoulder to cry on. Thats another thing thats so conservative about white-guy indie rock, says Kerman. What makes Drake so awesome is he just puts all his emotions right on the table for you to see. All of these songs and stories come from a genuine place for me.The morning reports we get from our friends may arrive through smartphone screens, but the songs on Morning Report all chronicle face-to-face interactionswith all the intimacy, intensity and awkwardness they entail.This is our weirdest, funniest, saddest record yet, Kerman concludes. And therefore, our most honest one, too."

      Cost: 43.00

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